Today’s lesson is all about demystifying the complexity of bebop playing on jazz guitar. It’s actually much simpler than most people think to start creating jazz lines. In this example, we’re using a major II-V-I progression in F major. Here’s the process: 1. Outline each arpeggio: - G minor 7 arpeggio (ii) - C7 arpeggio (V) - Fmaj7 arpeggio (I) 2. Anticipate each arpeggio with a chromatic enclosure to the root. - Before starting each arpeggio, use a chromatic enclosure pattern that targets the