When director Shane Carruth (“Primer”) was casting his sophomore feature “Upstream Color,” it was his editor David Lowery, the director of fellow Sundance pic “Ain’t Them Bodies Saints,” who suggested ...
Jesse talks to the director Shane Carruth. His new movie Upstream Color has almost no dialogue, involves a kind of abstract science fiction premise, but keeps you fully engaged. Then Jesse talks to ...
The closest analogy I have to watching Shane Carruth's movies is reading one of Haruki Murakami's densely imagined contemporary fantasies. Every detail is concrete, rendered with precision and ...
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