Installation view, ‘Dykes, Dads, and Moms to Watch Out For: The Comics of Alison Bechdel’ at the UM Institute for the Humanities Gallery (all photos by Sarah Nesbitt, courtesy the UM Institute for the ...

Fun Home resonated with readers as a work of nuance, honesty and intelligence. Within just a few years, playwright Lisa Kron and composer Jeanine Tesori set about adapting it to the stage, which was ...

A musical based on Alison Bechdel’s graphic memoir looks back at her growing up and a challenging relationship with her ...

This review was contributed by former Seven Days associate editor Ruth Horowitz, who now lives in Providence, R.I. She and her husband, David Christensen, recently headed to Manhattan to see Fun Home ...

Tickets for the in-person event are available now at Ticketmaster.com and the Minetta Lane Box Office. Tickets are $18 plus applicable fees. is a cartoonist whose work includes the long-running comic ...

Mid-sentence, Alison Bechdel stops herself, laughing. “I’m sorry,” she says, “I keep speaking so effusively, but it’s really exciting. I never dreamed this level of talent would get brought to this ...

2015 Tony Awards Best Original Score (Music and/or Lyrics) Written for the Theatre Lisa Kron 2015 Tony Awards Best Original Score (Music and/or Lyrics) Written for the Theatre Jeanine Tesori 2015 Tony ...

There’s no ethical consumption under capitalism, but there is a farmers market ...

Alison Bechdel wove herself into the fabric of lesbian cultural identity when she started publishing her comic strip “Dykes to Watch Out For” in Minneapolis back in 1983. CATHY WURZER: You may have ...

Alison Bechdel has been named one of the winners of the 2014 MacArthur Genius Grant. The 54-year-old Fun Home creator is among one of 21 recipients of this year's MacArthur Fellowship prize. The grant ...

The Vermont Conversation with David Goodman is a VTDigger podcast that features in-depth interviews on local and national issues with politicians, activists, artists, changemakers and citizens who are ...

Alison Bechdel's "Spent" arrives with little fanfare but considerable weight. Not because it demands to be called a masterpiece, but because it doesn't. It steps lightly, tentatively, into questions ...