When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

Racing Bulls completed its first on-track running with the VCARB03, giving us the first sounds from Ford's new Formula 1 ...

Zimmer opens up about complementing the sound of Formula 1 engines with his electronic, futuristic score. By Beatrice Verhoeven Awards Editor “I think the main thing I could add to F1 was excitement, ...

Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...